Paul Fry, 11 Lines | Waiting for a Spring Tide
Oil and Graphite on canvas
100 x 100 cm
£3850
| Availability | HAF Autumn 2024, Online Shop |
|---|---|
| Medium | Oil on Panel |
| Size | 100 x 100 cms |
| Type of Artwork | Painting |
| Price Bracket | £1000 – £5000 |
UK SHIPPING
For UK deliveries we use Royal Mail or Parcelforce for small items and a number of designated specialist art couriers for larger items.
- Unframed Prints: £12
- Paintings/Sculpture/Framed Prints: £45
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- Unframed Prints: £20
- Paintings/Sculpture/Framed Prints: Request a Quote
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- Prices will vary according to weight, size, and destination country.
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REFUND POLICY
Customer satisfaction is very important to us. If any item we ship independently to a client (i.e. we do not pass over the goods ‘face to face’) does not meet customer expectation or requirements, then the client must contact us either by email or letter within 7 working days beginning the day after the goods have been received to request resolution of any issue or to request a full refund (to include the cost of outward shipping to the client).
In these circumstances we require the client to pay the cost of returning the item to us in the condition in which it was sent and packed to the same standard to avoid damage in transit. Refunds will be made within 5 working days upon return of artworks received in good order.
Statutory consumer rights are not affected.
DISCLAIMER
Although sales information is updated on our website daily, all stock is offered simultaneously in the gallery. Therefore we cannot guarantee your chosen item/items will still be available for sale. A member of the gallery staff will contact you to confirm your purchase.
Paul paints mostly from memory - the scent of a flower, a landscape absorbed while walking or a plant that catches his eye in passing through the garden.
Recently in the corner of field he heard a skylark, it’s high frequency song demanded his attention. It made an impression that is hard to explain - He may not actually paint that skylark, but there is a good chance that the memory of that encounter will appear in a painting in the form of a brush stroke, a mark made in graphite or a scratch of the pallet knife - it is this distilling of things that fill my paintings.
